Saturday, June 18, 2005

Study Lesson aka"Sacred Calling Birds on the Left"


AUGUR
In ancient Rome these were a special caste of priests who interpreted natural phenomena which was believed to represent messages sent from the gods. The natural phenomena, or signs, included flights if birds, patterns in clouds and smoke, and markings on livers of sacrificial animals. It is interesting to note the liver rather than the heart was considered the body's central organ. The position as augur was a very central one, as the Romans rarely did anything important without the consensus of the gods, as expressed in the auspices.

The ceremony of an augur "taking the auspices" was done before every public ceremony after Attius Navius impressed King Tarquinius. According to Livy, Tarquinius was involved in a Sabine war at the time. He thought he needed more cavalry to win, but he recalled a story about Romulus using an augur, so he thought he should do the same. He called on Attius, and asked him if he should add more cavalry. The answer was no, which upset Tarquinius. He was not convinced in the art of augury, so he asked Attius to do another, and to see if what he was thinking at the time was possible. The signs came back positive. Tarquinius thought he had Attius trapped, because what he had been thinking was that Attius should cut a whetstone in half with a razor. Attius did this immediately, and Tarquinius became a believer.

HARUSPEX

A religious official in ancient Rome who interpreted omens by inspecting the entrails of sacrificial animals.

The haruspices in ancient Rome were part of a group of seers or auguries whose official function was not so much to foretell the future as to work out whether the gods approved of some proposed course of political or military action. Nothing of importance was undertaken until the auguries had been consulted. Many omens were actively watched for, such as the flight of birds, the pecking behaviour of sacred chickens, or the sound of thunder. The Romans borrowed these techniques from their predecessors, the Etruscans.

Edward Gibbon, in The Decline and Fall of the Roman Empire, was disdainful of what he saw as the barbarous rites of the period: “Amidst the sacred but licentious crowd of priests, of inferior ministers, and of female dancers, who were dedicated to the service of the temple, it was the business of the emperor to bring the wood, to blow the fire, to handle the knife, to slaughter the victim, and, thrusting his bloody hands into the bowels of the expiring animal, to draw forth the heart or liver, and to read, with the consummate skill of an haruspex, imaginary signs of future events. The wisest of the Pagans censured this extravagant superstition, which affected to despise the restraints of prudence and decency.”

The second part of the word is clearly from Latin specere, to look at, but the first part is more mysterious; it may be related to Sanskrit hir, an artery. The technique is called haruspicy. Another word for it is extispicy, a word whose the first element we do know the origin of—it’s from Latin exta, entrails.


The asfertur shall begin the ritual with observation of the birds--a green woodpecker and a crow on the right, a woodpecker and a magpie on the left. He who shall go to observe the calling birds shall, seated, command the asfertur from the hut as follows: 'Demand that I observe a green woodpecker on the right, a crow on the right, a woodpecker on the left, a magpie on the left, birds on the left, sacred calling birds on the left.' The asfertur shall make the demand in these words: 'There observe a green woodpecker on the right, a crow on the right, a woodpecker on the left, a magpie on the left, birds on the left, sacred birds calling on the left, for me, for the city of Iguvium, for the station which has been established.' While the one who goes to observe the calling birds is seated in the chair, no one is to make a sound and no one else is to sit in the way until he who has gone to observe the calling birds has returned. If there is a noise or if anyone else sits in the way, he shall make the ceremony null and void.

Monday, June 13, 2005

Ancient Reference

Phrygians were the first to discover this art.[1] Its classes are: (1) Bird-augury; for example, when this particular bird flies, in front or behind, heading right or left, one would say what it means. Telegonus first wrote about this.[2] (2) Interpreting omens in the house, when there are things that happen in the house; for example, if a weasel or snake appeared in the house, or olive oil was spilt, or honey, or wine, or water, or ashes, or there was a grating of wood, or something else, it foretells such and such. Xenocrates first wrote collecting this.[3] (3) Interpreting omens on travels, as when someone explains things that happen on the way; for example, when someone carrying a particular thing meets you, that thing will happen to you. Polles wrote collecting this.[4] (4) Palmistry (hand-reading), as when, through the extension of hands and
palm stretched out, we say, from the lines, "You are making a baby" or something like this. Helenus wrote collecting this.[5] (5) The art of interpreting twitches is that recognized from the twitching of the body; for example, the right or left eye twitched,[6] or shoulder, or thigh, or an itching in the foot, or there was a ringing in the ear, it means this. Posidonius wrote collecting this.[7]



Διαίρεσις οἰωνιστικῆς. Οἰωνιστική: ταύτην εὗρον πρῶτοι Φρύγες. ταύτης δὲ τὸ μέν ἐστιν ὀρνεοσκοπικόν: οἷον ὅταν πετομένου τοῦδε τοῦ ὄρνιθος, ἔμπροσθεν ἢ ὄπισθεν δεξιὰ ἢ ἀριστερὰ νεύοντος, εἴποι τις, ὅτι τόδε σημαίνει. πρῶτος δὲ ἔγραψε περὶ τούτου Τηλέγονος. τὸ δὲ
οἰκοσκοπικόν, ὅταν τὰ ἐν τῷ οἴκῳ συμβαίνοντα: οἷον εἰ ἐν τῇ στέγῃ ἐφάνη γαλῆ ἢ ὄφις ἢ ἔλαιον ἐχέθη ἢ μέλι ἢ οἶνος ἢ ὕδωρ ἢ τέφρα: ἢ τρισμὸς ἐγένετο ξύλων ἢ ἄλλο τι, τόδε προμηνύει: ὃ συνέγραψε Ξενοκράτης. τὸ δὲ ἐνόδιον, ὡς ὅταν ἐξηγήσηταί τις τὰ ἐν τῇ ὁδῷ ἀπαντῶντα: ὅτι ἐὰν ἀπαντήσῃ σοί τις τόδε βαστάζων, τόδε συμβήσεταί σοι: ὃ συνέγραψε Πόλλης: τὸ δὲ χειροσκοπικόν, ὡς ὅταν διὰ τῆς ἐκτάσεως τῶν χειρῶν διατεινομένων καὶ
τῆς παλάμης, ἀπὸ τῶν ῥυτίδων εἴπωμεν, παιδοποιεῖ ἤ τι τοιοῦτον: ὃ συνέγραψεν Ἕλενος. παλμικὸν δὲ τὸ διὰ τῆς πάλσεως τοῦ σώματος γνωριζόμενον: οἷον, ἐπάλθη ὁ δεξιὸς ἢ ὁ ἀριστερὸς ὀφθαλμὸς ἢ ὦμος ἢ μηρός: ἢ κνησμὸς ἐν τῷ ποδί, ἢ πρὸς τὸ οὖς ἦχος ἐγένετο, τόδε συμβαίνει: ὃ συνέγραψε Ποσεδώνιος.

Sunday, June 12, 2005

Extra Definition

Augury, which means 'the art or practice of divination from signs or omens', and hence 'an omen, token, or indication', is a Latin derivative. The immediate source is Latin augurium, which is derived from a Latin base form augur.

In ancient Rome, the augures were official diviners, and were one of the four main groups of priests. Though they used various methods of divination, an augur would often use the flight or behavior of birds as a primary method. (Compare a haruspex, an originally Etruscan diviner who divined by examining the entrails of slaughtered animals. I personally find tea-leaves a much neater procedure.)

In English, augur is normally used as a noun meaning 'a soothsayer; prophet' or as a verb meaning 'to divine or predict' and also 'to serve as an omen of; foreshadow'. The historical use meaning 'a Roman augur' is comparatively rare.

The ultimate origin of Latin augur is uncertain. It was once considered to be derived from avi and ger(o), meaning 'directing the birds', but this is now usually considered a folk etymology. The
probable origin is from Latin augere 'to increase' (the source of English augment, among others), alluding to the growth or prosperity that successful divination would enable.